corvi: (Default)
[personal profile] corvi
Some days you wake up and you need to paint a vulture and plum blossom monster even though it's not a traditional Chinese brush painting subject.



This is my second attempt to paint birds. The instructor hasn't shown us birds yet, but I love birds, so here we are.

This time I planned out major feathers and did one brush stroke, approximately, outlining each. I think I succeeded at portraying a bunch of feathers! Overall, I'm not sure the collection of feathers quite coalesces into a bird, but it feels like I figured some things out and I'm pleased. I am considering going back over all the feathers with a grey or brown wash to make it all a little more solid-seeming.




Here's my previous attempt at birds.




Lumpy craggy mountains look good, and lumpy wind-twisted trees look good, but lumpy birds rather less so. I don't know if I need to get better at painting precisely, or if I need to use a completely different approach for birds than I do for landscapes. There's a classic style of "Bird and Flower" paintings that are more like cartoons: you outline shapes in very fine detailed black ink and fill them in with bright colours, but that is less interesting to me.

A bird with distinctive markings might be easier than an all-black bird, too. Hm.

Date: 2021-06-15 09:37 pm (UTC)
ivy: Two strands of ivy against a red wall (Default)
From: [personal profile] ivy
I am just imagining the plum blossom tail streaming behind the vulture as it flew... beauty in corpse-eating is a mood?

What if you picked lumpier birds, like fat little finches ready for the winter or something?

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